Cinemazlowski 'Spectre' brings more depth to Bond franchise

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Daniel Craig may be the sixth man to play James Bond, but he sure knows how to breathe new life into a series that has now spawned 26 films in 52 years. While 2009's "Quantum of Solace" was a misfire, the others he's made since taking over the iconic role of Britain's top assassin - "Casino Royale," "Skyfall," and this weekend's "Spectre" - have been infused with a mix of timely grit and a much greater depth of character for Bond, his support team and his arch-criminal rivals.
 
With "Skyfall," which soared to become the biggest box office hit in the series by miles, director Sam Mendes took the reins for a bracing escapade that brought Bond back to his boyhood roots. The final showdown was at his parents' long-abandoned estate, while Bond also endured the shocking death of his dear friend and spy boss M (Judi Dench) and the destruction of his beloved Aston Martin.
 
Mendes returns again with "Spectre," sending Bond back into globetrotting action and into a worldwide race against time to stop the launch of an all-encompassing surveillance network that would make the NSA's abusive programs look like a neighborhood Peeping Tom. The fact that Bond is battling forces that are both frightening in scope yet rooted in today's headlines gives the movie a compelling kick beyond its amazing action sequences.
 
"Spectre" opens with Bond going rogue in Mexico City, determined to assassinate a master assassin named Sciarra as a final favor to M. As often happens to guys like Bond, he received a video secretly after M's death, with her asking him to avenge her by bringing down a far greater conspiracy - only to find that that assassination is only the beginning of much bigger problems.
 
Bond takes Sciarra out with a clean shot, but seconds later an epic explosion brings down the entire building his prey was in, and an ensuing chase after an associate of Sciarra's leads to a mayhem-filled helicopter ride that endangers a crowd of thousands below. While Bond makes it back to England in one piece, the new M (Ralph Fiennes) is furious that the Mexican mission was not official state business and he subjects Bond not only suspension, but also embeds him with a tracking device in his arm to make sure he doesn't leave the country.
 
The reason why he's trying to keep Bond under wraps is that the two main British intelligence agencies are merging to form a more powerful operation, headed by C (Andrew Scott). C thinks that the idea of a one-man killing machine like Bond is outdated in times of ever-improving technology and wants to eliminate Bond's position.
 
But as Bond follows the other part of M's videotaped wishes and attends Sciarra's funeral in Rome, he discovers that the shadowy globalist society Spectre is meeting there as well, and that C's plans for global surveillance have very sinister roots. While Bond thinks he can infiltrate their meeting in secrecy, Spectre's apparent leader - a man named Oberhauser (Christoph Waltz) - is one step ahead of him and forces Bond to go on the run around the world if he wants to save it.
 
"Spectre" is impressive on every level, from its cutting-edge plot and whiplash-fast pacing to a plethora of amazing action sequences that would each serve well as the climax for most any other film. With two-time Oscar winner Waltz aboard as the villain, following Javier Bardem's bizarre turn as the bad guy in "Skyfall," the movie also gives Bond a charismatic counterpoint to match his every move.
 
But what really makes "Spectre" shine is its sense of fun, a quality that has been missing in Craig's prior Bond movies as he attempted to ground the character in some reality. Here, Craig finally cuts loose with such absurd moments as falling several stories in a collapsing building only to land on a couch, or gleefully smirking as he deploys a series of top-notch technology in the new super-car he steals from his MI6 spy headquarters.

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As far as moral issues go, if you're not aware of Bond's illicit propensities towards one night stands and short-term affairs, then you likely haven't ever seen one of these movies. In this one, Bond almost immediately engages in a casual one-nighter with the widow of Sciarra right after his funeral, a situation that is not only immoral but illogical – the one logic weak spot in the movie.
 
Viewers will see the widow (who despised her criminal husband, but that of course still doesn't justify promiscuity) with her bare back exposed after her dress slips off, but the scene fades out with passionate kisses. Bond's other liaison with another woman, which actually manages to last through the few days of the film's escapades, also is shown through passionate kissing that fades out.
 
There is very little foul language – just a couple of S words – and of course there's plenty of violence, most of which is the non-bloody, over-the-top ridiculous style that could never be taken seriously and provides undeniable thrills. There is one gruesome moment in which a vicious bad guy proves his skills to the Spectre meeting by gouging a man's eyes out and snapping his neck, but again, this is really too ludicrous to be offensive. For teens and adults, it's a fine film as long as teens are grounded in the reality that promiscuity is a serious moral offense.
 

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Otherwise, it's a great time at the movies, and a great start to a holiday season that still offers epic fun with the new Quentin Tarantino film "The Hateful Eight" and the rebirth  of the "Star Wars" series. With Bond in peak form at the top of November, there will be a lot more than 12 days of Christmas for movie buffs this year.

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