While Cooper and Neal as Roark and Francon were occupied on camera refusing to compromise their artistic integrity, the more interesting battle for the soul of man happened off-screen and over long years.
While filming, Cooper, married and 46, had an affair with the 21-year-old Neal, fathered her child, and pressured her into having an abortion.
This she regretted all her life, as a priest-friend reported on the occasion of Neal’s receiving a pro-life award in 2003 for decades of work opposing abortion and helping stroke victims.
One Monsignor Lisante described Neal to his audience as “a female Job” and indeed her list of sufferings is lengthy: a series of strokes once left her in a coma for a month; recovery was long and painful; she lost a daughter to measles; her infant son was hit by a car and left permanently brain-damaged (she cared for him the rest of her life). Another child battled alcoholism and addiction, and her husband, Roald Dahl, though he was good to her during her stroke recovery, eventually left her. Lisante revealed Neal’s reply when asked what in her litany of trials she would change if she could.
Her answer: she regretted only aborting her child with Cooper. "Father, alone in the night for over 40 years, I have cried for my child. And if there is one thing I wish I had the courage to do over in my life, I wish I had the courage to have that baby."
The best part of the story may be the role of Maria Cooper, Gary Cooper’s only child with his long-suffering wife, Rocky, in bringing Patricia Neal back to her Catholic faith.