Jul 25, 2011
To many, the role of Pope Pius XII during the Second World War, and in particular his action or lack of action on behalf of the Jewish people, are the sum-total of the history of the Catholic Church during the war. This is, of course, nonsense. Whilst it is true that the Church is led by the Pope, it is not true that the Pope is the Church. This has been recognized by Popes ever since Innocent III adopted the title, ‘Servant of the Servants of Christ’, as one of the official titles of the office of Pontiff, as long ago as the thirteenth century. The Bishop of Rome is the primary bishop of the Church, and communion with him is a prerequisite for membership of that Church. However, the Church is the body of believers; it consists, in other words, of all Catholics.
This is of fundamental importance to the debate on the complicity or otherwise of Pope Pius XII during the war. His detractors seem to believe that by discrediting the Holy Father, they can discredit the whole Catholic Church. Sadly, his defenders appear to think that they are right. Even if Pope Pius XII had supported the extermination of the Jews – and he did not, as this series will try to prove – then this would not prove that the Church as a whole was complicit. The short-comings of one man are as nothing when compared to the eternal Truth. This is also true for all other aspects of the role of the Church during the war. There were as many roles as there were Catholics! One may find within the confines of one Church province saints and sinners, indifference and heroism.
This does not mean that the role of Pope Pius XII is without importance – far from it. His leadership did much to shape the response of many in the Church to the challenges of Fascism, Nazism and Communism. We have to recall all the time that it was this triumvirate of evil ideologies that the Church faced in the period between 1917 and 1945. It is naïve to suggest that all bishops, indeed, that all Catholics followed exactly what Pope Pius XII asked them to do. They did not. Yet the tone set by the Pontiff is of vital importance, and, I will argue in this series, is exactly what we as Catholics should focus on. Let us restate this once again: the tone of Pope Pius XII’s pontificate is what matters, as well as how he was perceived at the time.
Subsequent judgments of the Pope are valid, but only when examined within the context from which they arose. Rather unsurprisingly, one finds that his critics usually emanate from circles at odds with the Church. Harsh criticism of the Holy Father emerged first in the Soviet Union immediately after the war. There is a famous cartoon in the Soviet satirical magazine, Crocodile, showing Pius defending the West, standing at the gates like the Archangel Michael, swinging a thurible, whilst behind him cower American multi-nationals, General Franco, and a host of war criminals with a Nazi or Fascist background. As a piece of propaganda it strikes as being crude, but the link made in the cartoon, which appeared in the late 1940s, between Pope Pius XII and the Nazis proved to be a potent one.
No one will require any explanation as to why the Soviets wished to portray the Pontiff in this light. The next attack came when Rolf Hochhut’s Der Stellvertreter. Ein christliches Trauerspiel (The Deputy. A Christian Tragedy) appeared in 1963. This is the play about the role of Pope Pius XII during the war, in particular in relation to the Holocaust. Few modern plays can have had such an impact as this one. It contrasts the Pope’s pre-occupation with the Church’s money and indifference to the fate of the Jews of Rome with the heroism of St. Maximilian Kolbe in Auschwitz, and with Bl. Bernard Lichtenberg.