Apr 9, 2010
Johann Sebastian Bach’s Passion of St. Matthew is truly a masterpiece of the oratorio repertoire. I listened to pieces of it all through Holy Week. The Passion is often performed with two separate choruses and orchestras, which finally come together in a triumphant but haunting final meditation. The partial orchestras, sometimes without strings, sometimes without bass, often in minor progressions which are difficult to understand and evocative of a desperate situation, resolve into unity and end with these words:
We sit down in tears
And call to thee in the tomb
Rest softly, softly rest!
Rest, ye exhausted limbs!
Your grave and tombstone
Shall for the unquiet conscience
Be a comfortable pillow
And the soul’s resting place
In utmost bliss the eyes slumber there.
If you listen carefully, amidst the sad and breathtakingly beautiful string progressions, there is a glimmer of hope. I am no Bach scholar, but I wonder if he just couldn’t bring himself to leave the Passion with Jesus in the tomb. Instead, he offers the hope that, for those whose conscience might be tugging at them when meditating upon the Passion (something that, I dare say, happens to all of us), their comfort lies in the death of Christ. But the death of Jesus could not be a comfort without the sure knowledge of the Resurrection and the victory that this death has won.
On Holy Saturday each year, I attempt to meditate on that awful day some 2000 years ago when the tomb was sealed. I try to imagine the utter hopelessness that Jesus’ friends must have felt. The one who would be the savior of the world, the Jewish Messiah, had been slaughtered on the cross. His death was witnessed by but a blessed few. He died having been betrayed by Peter who said he would never betray him, abandoned by Thomas who claimed to be prepared to die with him, left by the very disciples he had chosen and to whom he had given the gift of the sacramental priesthood.