Gniewek, Gabrielle and Sean Lam. San Rafael, California: ATITUQ. 2010. ISBN 978-0-9826538-1-4I opened the graphic novel Judith: Captive to Conqueror with a hope. After reading Paul: Tarsus to Redemption, which was published by ATIQTUQ, the same publishing company as Judith, I was greatly disappointed. But when I heard that ATIQTUQ was going to create a graphic novel on Judith, one of my favorite Old Testament stories, I had hope that it would be better than its predecessor. I was not disappointed.As soon as I started reading I was again impressed by the art and style of Sean Lam, who also drew Paul. The action sequences, the expressions, and the glares (the glare of Holofernes has got to be one of the iciest looks I have ever seen) were superbly drawn. I have even gone back just to stare at my favorite scenes.The story was written by Gabrielle Gniewek, and I must say that it was very well done. The dialogue was very smooth and made the story progress seamlessly. Gniewek also did an excellent job adapting this story from the original book of Judith. There were a few things that needed a bit more explanation (for example, when High Priest Joakim mentions that the Israelites just came back from captivity, but doesn’t explain why they were in captivity and how they came back to Israel) but they are minor points to the story as a whole. I also would have liked to know what exactly Judith’s husband did that caused him to become dehydrated, as that is never fully explained either. However, the story does not suffer because of these under-explained situations, and keeps moving forward effortlessly.Reading Judith actually made me want to read the Bible story. I was interested in seeing if there were similarities and whether or not the graphic novel was accurate. I believe this book would actually encourage children to read the Bible. When the story is good, reading the source material is the natural inclination for a fan of the work. I would definitely recommend this book to anyone with an interest in graphic novels. I would also recommend it especially to the younger generation. Judith: Captive to Conqueror was very well done and I would read the sequel in a heart-beat. Another sign it was good: the cliff-hanger at the end almost made me groan because I wanted to know what happened next!
Salisbury, Matthew and Sean Lam. San Rafael, California: ATITUQ. 2010. ISBN 978-0-9826538-0-7. When I first saw "Paul: Tarsus to Redemption," written by Matthew Salisbury and drawn by Sean Lam, I had my misgivings. I have read many different manga (graphic novels from Japan) in my life, but I’ve never read an American drawn comic book that claims to be a manga. This alone discouraged me, since I’m a bit prejudiced against Americans trying to “rip-off” the style of Japanese manga-ka (comic book artists). However once I started reading, the style actually grew on me. Sean Lam, the artist also did a very good job in depicting expressions and in conveying the personalities of the characters through his drawing. He incorporated many of the effects that manga-ka use to show exactly what the character is feeling, such as shock or anger. His action scenes were also well done. Of course another thing that interested me about this book was the subject matter. I have seen a manga-style bible in the book store before, but I’ve never picked one up to seriously read it. Unlike the bible, this particular book centers around one person in the New Testament, St. Paul. I thought this was actually sort of silly, because if someone wanted to read about Paul, why not just open the Bible? However, I must admit that a child would be more likely to pick up a comic book rather than the Bible. So, the object of trying to get children interested in the Bible was a valid one. However, just because manga is gaining popularity in America doesn’t mean kids are going to pick it up solely because it was drawn with the manga style in mind.Once I started reading the book, I found that the dialogue was very poorly written and fragmented. A children’s bible would not only be better for learning to read, it would also make more sense and be more comprehensive in its coverage. The book was not very true to the story of Paul either. For example, it was missing the part where Paul is cured of his blindness. While it later referenced the event, it did not chronicle its occurrence or emphasize its significance.While the goals of the writers, artists, and editors are laudable, -the are seeking to familiarize children with stories from the Bible- it does not seem to me that the best way to achieve this goal is to exclude parts of the original bible story in order to bring readers to the source material itself. ATIQTUQ, the company that published this book, aims to create more manga-style comic books in the hopes of telling good stories that center around Christianity. Sadly, these goals are not going to be realized if their books are written like Paul: Tarsus to Redemption. Comic books are made of two-halves: the first is the purely visual, which depends on the art. The second is the interaction between the characters, which depends on the dialogue. If one half is lacking, the entire book is a failure. Although the art in this book was well done, the craftsmanship of the dialogue effectively kills any desire to actually purchase this book, or to recommend it to others.